Serpentine Gallery Pavilions: 10 Years Jonas Mekas Comparison - not as a

Comparison - not as a form of judgement but as the descriptive juxtaposition of elements - forms the basis of Trockel's current work

Marie Heilich

Since starting out in the 1950s

Ringgold has described the works in this series as representative of a prayer rug

As the viewer sees the print from different angles it reveals one image

Serpentine Gallery Pavilions: 10 Years Jonas Mekas Comparison - not as aSince 2000, the Serpentine Gallery in London's Kensington Gardens has called on some of the world's top architects to design summer pavilions temporary structures that are erected next to the Gallery itself for a three month period. The Serpentine, which was built in 1934 as a tea pavilion, opened in 1970 as a showplace for exhibitions of modern and contemporary artists ranging from Matthew Barney to Dan Flavin, Ellsworth Kelley, Luise Bourgeois or